Alexandra Saint-Mleux, the French partner of Ferrari’s Charles Leclerc, has been prominently featured in Vogue Australia. This Vogue feature comes as a notable recognition of Saint-Mleux’s style and presence, which she shared on her official Instagram account.
Vogue Australia, which initially functioned as a supplement to British Vogue before becoming an independent edition, operates under a licence from Condé Nast and is published by News Corp. The magazine’s Instagram highlighted Alexandra Saint-Mleux in a captivating photo alongside several models, celebrating summer fashion inspired by European destinations.
Highlighting Alexandra Saint-Mleux in Vogue’s Summer Fashion Showcase
Vogue Australia’s Instagram post featured Alexandra Saint-Mleux among other celebrities known for their chic vacation wardrobes. The caption read:
“There’s a particular kind of envy that strikes right around mid-July. Our Instagram feeds begin to flood with sun-drenched shots from Capri, the French Riviera, tucked-away Grecian islands—all, somehow, accompanied by the dreamiest wardrobes.”
“Looking for style inspiration ahead of your own vacay? Just ask the celebrities who are perennially on holiday. Tap the link in our bio for our favourite Euro summer outfits from stars like #DuaLipa, #KendallJenner, #AlexandraSaintMleux and more.”
Saint-Mleux’s inclusion places her among globally recognized style icons, further elevating her public profile beyond the Formula 1 paddocks where she is regularly seen supporting Leclerc.
Chronology of Alexandra Saint-Mleux and Charles Leclerc’s Relationship
Reports connecting Charles Leclerc and Alexandra Saint-Mleux emerged early in 2023, with speculation rising during the Paris Fashion Week. Their relationship became officially visible to the public when they appeared together on July 10, 2023, at Wimbledon, one of sport’s most prestigious events.
Throughout the 2025 Formula 1 season, the couple has been spotted frequently around race venues, especially at Ferrari’s garage, where Saint-Mleux has been a noticeable figure encouraging Leclerc during his races.
Understanding Charles Leclerc’s Self-Critical Approach on Track
Since joining Ferrari in 2019, Charles Leclerc has firmly established himself as one of Formula 1’s elite drivers with eight Grand Prix victories, 47 podium finishes, and 26 pole positions to his name. Despite his success, Leclerc is known for being hard on himself, especially when mistakes occur during races.
Fred Vasseur, Ferrari’s team principal, recently commented on Leclerc’s tendency toward self-criticism, stating:
“For probably 10 years or so, one of the qualities of Charles is that he is able to blame himself, and one of the faults of Charles is sometimes he’s blaming himself a bit too much!”
Challenges Facing Leclerc and Ferrari in the 2025 Season
The current Formula 1 season has presented difficulties for Leclerc and the Ferrari SF-25 car. The team has struggled to keep pace with competitors like McLaren’s MCL38 and has yet to secure a victory in the ongoing season. While Leclerc has managed to reach the podium on several occasions, the car’s performance falls short of enabling him to consistently contend for wins.
The next opportunity for Leclerc to contend for top positions arrives with Round 13 of the season, the Belgian Grand Prix, held at the renowned Spa-Francorchamps circuit, known for its challenging layout and scenic surroundings.
The Broader Significance for Leclerc and Saint-Mleux
Alexandra Saint-Mleux’s Vogue Australia feature marks a significant moment that highlights her influence beyond the racing world, reflecting the growing media attention on F1 drivers’ partners as personalities in their own right. For Charles Leclerc, maintaining strong support off-track while navigating a demanding season will be essential as he seeks to improve Ferrari’s standing and results.
The couple’s visibility in both high-profile fashion settings and sporting venues exemplifies the intersection of sports and lifestyle, enhancing their public appeal and broadening their influence across diverse audiences.
